Archives mensuelles : juillet 2019




En développement


Skyman raconte le parcours d’une famille qui défie l’un des plus grands tabous de notre société : comment parler de la mort lorsque son enfant n’a plus longtemps à vivre ?

Skyman raconte le parcours d’une famille qui défie l’un des plus grands tabous de notre société : comment parler de la mort lorsque son enfant n’a plus longtemps à vivre ?


En coproduction avec Lugh Film (Irlande), Erica Starling Productions (Northern Ireland), Corso Film (Allemagne), Soil Siu Film (Irlande).


Documentary Campus 2018, Belfast Doc Market

SKYMAN, Loïc Jourdain


Loïc Jourdain


In development


Skyman tells the story of a family that challenges one of the greatest taboos in our society: how can you talk about death when your child doesn’t have long to live?

Production credits

In coproduction with Lugh Film (Ireland), Erica Starling Productions (Northern Ireland), Corso Film (Germany), Soil Siu Film (Ireland).


Documentary Campus 2018, Belfast Doc Market


Vincent Lapize

2015 – 77’

Feature documentary


Over two years, from spring 2012 until spring 2014, The Last Continent offers a subjective immersion into an evolving political experiment: the one set up by those opposed to the Great-Western Airport project in Notre-Dame-des-Landes, near Nantes in France. The film shows two portraits; one of a place, the Defended Zone, i.e. 2000 hectares of forests and prairies, and one of a few activists with diverse profiles, but who all share on a daily basis an untypical political experience.


Directed by

Vincent Lapize


Marie-Pomme Carteret

Original music

Pierre-Laurent Bertolino

Sound editing and mix

Frédéric Hamelin


Colette Quesson, Romain Lardot et Gabrielle Gerll

Production credits

In coproduction with Réel Factory, Télénantes, & local TV channels from Brittany (TVR Rennes35Bretagne, TébéO et TébéSud) With the support of CNC, Bretagne, Region Poitou-Charentes Region, Vienne Departement Vienne, PROCIREP-ANGOA & with contribution of Effet Sphère & La Famille Digitale.

Theatrical release – Dist. A Perte de Vue – Label AFCAE. 11 000 admissions France.


MONTREAL: Festival Funambules médias, August 2016

Selected in « Les pépites du documentaire » by Mediapart.

Selected as one of the ten best documentaires of the year by French newspaper La Croix

PARIS: Paris Festival Hors Pistes Beaubourg, May 2016

LA ROCHELLE: International Film Festival, July 2016

MELLIONEC: Documentary film encounters, June 2015

POITIERS: Raisons d’Agir Festival, April 2015

DOURNENEZ Festival, August 2015

LILLE: Ecollywood -(Premiere), October 2015

REDON: Ciné Manivel (Premiere), April 2015

NOTRE-DAME-DES-LANDES: Université populaire anarchiste du Haut Fay, avril 2015


A PERTE DE VUE – 27 avenue Louis Barthou – 35000 Rennes

Colette Quesson – 06 13 33 16 17 –

Vertigo, by Nicole Zeizig


Nicole Zeizig

2018 — 52’

Documentary short


In the field of love transport, boys and girls have been subjected to the toughest tests ever since. Vertigo is a film about love. Through the story of an encounter and a love affair, the narrator tries to put words on feelings and emotions that are usually kept deep inside. It is then possible to awaken the memory of other love stories. Stories that have transported and sometimes transformed each of us.

Artistical and technical team

Directed by

Nicole Zeizig


Juliette Kempf


François Villevieille

Production credits

A Perte de Vue, in coproduction with Les films du Tambour de Soie, France 3 Pays de la Loire, vià Vosges, in collaboration with BIP TV.

Brouillon d’un Rêve de la SCAM 2018 Grant. With the support of Région Bretagne (development & production), Côtes d’Armor Department (production), with the participation of CNC, PROCIREP/ANGOA & SACEM.


GERMANY Dok Leipzig 2019

I will love myself until death, by Léa Lanoë


Léa Lanoë

In development — 59’


Frida is my neighbor in Karl-Kunger Strasse in Berlin, she is also an activist of the Barfusspartei, the barefoot party she created… And cosmonaut, but she hasn’t visited any other planets yet. Our film factory takes us there.


Brouillon d’un rêve SCAM grant, with the support of Région Sud (Writing), Rencontres Premiers films Lussas 2018



Isabelle Rèbre

2020— 84’



This is the story of two brothers, two American painters, Jackson and Charles Pollock. Jackson began painting under the guidance of his elder brother Charles, and quickly rose to fame. When his life is taken from him in a car accident at 44 he has already brought a revolution into the world of painting and he becomes a legend. Charles remains a man, slowly building his art. In 2015, the Peggy Guggenheim Collection in Venice presented the works of the two brothers side by side for the very first time. In the light of the family correspondence, the film explores two different ways of being an artist: it revisits a myth and draws a painter from the shadows.


Sylvia Winter Pollock, Alain Joyaux, Francesca McCoy Pollock, Jason McCoy, Helen Harrison, 

Peter Namuth †, Terence Maloon / Voices : Isabelle Rèbre, Rebecca Pauly et Dominic Gould.

Artistic and technical team

Author and director / Isabelle Rèbre

Photography and frame / Emilien Awada

Original music / Olivier Mellano

Sound / Isabelle Rèbre

Editor / Margaux Serre, Marie-Pomme Carteret

Sound editing and mix / Jean-Marc Schick

Colorgrader / Alexandre Lelaure

Executive Producer / Colette Quesson

Production’s assistant / Inès Lumeau

Production manager / Emmanuelle Jacq

Editing intern / Raffaelle Bloch

Production interns / Juliette Le Ruyet, Déborah Gillet, Natalia Gomez Carvajal

Director’s biofilmography

Isabelle Rèbre directs documentaries, among which several artists’ portraits. In 2001, Charles Rojzmann, social therapist (Arte). In 2003, the portrait of the cinematographer André S. Labarthe from head to foot (Ciné-Cinéma and Lussas). In 2006, she directed Jean Rustin’s painting. For a command of ZDF-Arte, she directed After the anger, portraits of high school students and students battling against the CPE. In 2013, she directed Ricardo Cavallo or dream of the sparrow hawk, portrait of the painter. In 2020, she finishes Pollock&Pollock, first feature documentary about American painters Jackson and Charles Pollock. 

Isabelle Rèbre is also dramatic author and essayist. In 1998, she published Moi quelqu’un (Actes Sud Papier). Her last play, End inspired by Ingmar Bergmanlast years, has been created by Bernard Bloch (Réseau Théâtre) in 2014. Echoing this text, she wrote an essay The last photography on the use of the photography in Saraband, the last movie of Bergman (La Lettre Volée, 2017).

Since 1983, Isabelle Rèbre produced for France Culture around thirty radio documentaries, largely in touch with the art and the literature : In search of Unica Zürn, writers in exile, Kateb Yacine, The brothers Pollock… She also teaches documentary cinema in Paris 8 where she is completing a doctorate.


A film produced by A Perte de Vue, 

Executice producer / Colette Quesson

In coproduction with BIP TV, Proarti and Le Fresnoy, Studio national des arts contemporains.

With Bretagne Region’s development and production funds, with Ciclic and SACEM. With the participation of CNC. With the support of PROCIREP, Société des producteurs and Angoa. Withe the support of Cinéastes en résidence-Périphérie and Charles Pollock Archives. With the support of Brouillon d’un rêve – SCAM. Developed within the framework of EURODOC.


Jean-Claude Rozec

2019 — 13’39

FIPRESCI Award – Annecy International Animation Film Festival

Executive producer : Colette Quesson


I was very young, but I still remember it very well. Mom and Dad didn’t see anything, but I knew right away. The thing in the crib wasn’t my little brother. No. It was you. You already had that funny face. And then you smelled… Huh, Tadpole?


Screenplay and direction

Jean-Claude Rozec

Animation : Jules Garreau, Lisa Klemenz, Alexis Poligné, Apolline Rabot, Jean-Claude Rozec, Tom Villar

Animation assistants : Jeanne Girard, Alice Viry

Colors & Compositing : Jean-Claude Rozec

Original soundtrack : Arnaud Bordelet

Sound design / sound editing : Kevin Feildel

Foley : Marie Mazière

Sound mix : Frédéric Hamelin

Production Manager : Emmanuelle Jacq

Production secretary : Inès Lumeau

Production intern : Maëva Ferdonnet

Logistics manager : Tom Folie


Gaspard : Léane Coulibaly

Lola : Elisa Le Bel-Sorel

The mom : Solène Quintin

The dad : Jules Garreau

Production credits

A PERTE DE VUE, in coproduction with Arte France, TVR, TébéO et TébéSud

With the support of CNC avant réalisation, of Région Bretagne & SACEM.


Prix FIPRESCI International Animation Film Festival Annecy 2019

Prix Jeunesse, ex-aequo Animation Film Festival Paris 2019


FRANCE International Animation Film Festival Annecy 2019 international compétition

Ateliers Angers 2019 Projection plein air

Festival du Film d’animation pour la jeunesse (Hors compétition) Bourg-en-Bresse 2019

Festival Européen du Film Court de Brest 2019

Festival International du Film de La Roche-sur-Yon 2019

Les Nuits Magiques Bègles 2019

Paris Courts Devant 2019

Festival national du film d’animation Rennes 2020

Voix d’étoiles Leucate 2019

RUSSIE / RUSSIA Festival Insomnia Moscou 2019

SPAIN International Fantastic film Festival Catalogne Sitges 2019

SOUTH KOREA Bucheon animation Film Festival 2019

SWITZERLAND Animatou Genève 2019

ITALIA Tocatì Festival Verona 2019

LITHUANIA Tindirindis Vilnius 2019

UNITED STATES OF AMERICA Chicago International Children’s Film Festival 2019

ROMANIA Anim’est Bucarest 2019

GREECE Thessaloniki Animation Festival 2019

Nomads, by Olivier Coussemaqc


Olivier Coussemacq

2018 — 87’

National theatrical release 7 août 2019 – Local Films Distribution

Moroccan National release 4 juin 2019 – Younès Productions


Hossein, a teenage boy who is connected to the increasingly globalized world, dreams of a freer future far from his native Tangier. His mother Naïma, however, is determined not to let him follow in his brothers’ tragic footsteps, and takes him to the south against his will. In this new setting he gets his first taste of romantic love and disillusionment, and eventually reconnects with his mother, whose devotion he had previously shunned.


Screenplay and direction

Olivier Coussemacq


Hossein : Jamil Idrissi / Naïma : Jalila Talemsi / Tante Zahra : Asmaa El Hadrami / Oncle Mokhtar : Mohamed Quatib / Farid : Saïd El Mokhtari / Najet : Rim Fethi / Delphine : Pauline Discry / Abdessamad : Soufiane Loukrissi / Mohamed : Hossein Senby / Karima : Fadwa Taleb / Jeune belge : Hamza Kadri / Hamid : Solaiman Rossi / Omar : Aymane Rhalib

Artistic and technical crew

Musique originale: Sarah Murcia / Directeur de la photographie : Jean-Pierre Renaudat / Chef opérateur du son : Nicolas Waschkowski / Chef monteur : Julien Cadilhac / Etalonneur : Pierre Bouchon / Monteuse son : Corinne Gigon / Mixeur : Frédéric Hamelin / Costumière : Anissa Reggab / Chef décorateur : Abdelmajid Ait Faqih

Production credits

Produced by Local films & À Perte de Vue, in coproduction with Awman productions

With avance sur recettes from Moroccan Cinematographic Center, with the support of Région Bretagne, in partnership with CNC, with the participation of TV5 Monde & CNC. Project developed within the frame of IVth coproduction forum transpyrenean – San Sebastien Film Festival, & Holland Film Meeting – Netherlands Film Festival, & of A.C.E., Ateliers du Cinéma Européen. With the support of Developimages2 & Procirep / Angoa – Agicoa.

Prizes and Awards>

MOROCCO, Ciné Plage Harhoura Festival (Rabat, 2019) : Grand Pix, Men’s interpretation Award, Cinephilie Award.


EGYPT, Luxor African Film Festival 2019

FRANCE, Rencontres du Sud d’Avignon 2019, Festival Montreurs d’Images 2019

MOROCCO, Panorama du Festival de Tanger 2019

RUSSIA, Moscow Film Festival 2019


Ben Russell

2019 – 30′

Short documentary

Filmed in Polynesia and Bretagne, France.


A deliriously synaesthetic S16mm portrait made between French Polynesia and Brittany, COLOR-BLIND recruits the restless ghost of Paul Gauguin as an uneasy spirit guide in excavating the post-postcolonial legacy of a decidedly syncretic post-post-colonial present. Featuring im/material guest appearances by: white-tipped reef sharks, Aldous Huxley’s Island, Marquesan techno, authorized Gauguin reproductions, Bretagne dance competitions, an illegal kava ceremony, the beach from the 4th season of Survivor, the long decay of French nuclear testing in Polynesia (1960-1996), and so much more.

Opening Text Adapted From “A letter to Mette Gauguin from Paul Gauguin, 8 Dec. 1892”. 

Fiche technique

Director, image, sound, edit

Ben Russell

Artistic and technical team

Sound Recording French Polynesia: Erwan Kerzanet

Sound Recording Bretagne: Guillaume Cailleau

Best Boy Bretagne: Jonathan Cailleau Slak

Color Grading: Sergi Sanchez

Sound Mix: Frédéric Hamelin

Production Secretary France: Inès Lumeau

Production Manager Germany: Jana Cisar

Production Assistant France: Giulia Oliveri

Production Intern: Maeva Ferdonnet

Translation Marquesan: Michael Koch

Translation German: Uli Ziemons

Featuring: Freddy « Feeling Fingers » Fournier / Marc Kucharz / Yvonne Moke / Kokauani  Mahuaani / Ludovic  Puhetini / The Kimitete Kids / Angélina Mati / Pierrot Kewahana / Michael Koch / Michel Habert.


Executive producer: Colette Quesson, A Perte de Vue

Coproducer Germany: Guillaume Cailleau, CaSk Films

Coproducers France: Fabrizio Polpettini, Pierre Malachin, La Bête

Produced by A Perte de Vue, in coproduction with CaSkFilms, 

La Bête, TVR, TébéO and Tébésud. With the support of Région Bretagne, Medienboard Berlin-Brandenburg, 

Procirep-Angoa and the participation of CNC.


AUSTRIA Viennale 2019

SPAIN Curtocicuíto International Film Festival

UNITED STATES New York Film Festival 2019

Chicago International Film Festival 2019

Los Angeles Redcat ‘Murs Murs’ 2019

LITHUANIA Kaunas Film Festival 2019

SWITZERLAND Locarno International Film Festival 2019

I will love myself until death, by Léa Lanoë


Léa Lanoë


En développement.


Frida est ma voisine dans la Karl-Kunger Strasse à Berlin, elle est aussi activiste du Barfusspartei, le parti des pieds nus qu’elle a créé… Et cosmonaute, mais elle n’a pas encore visité d’autres planètes. Notre fabrique du cinéma l’y emmène.


Brouillon d’un rêve SCAM, avec le soutien de la Région Sud (Writing), Rencontres Premiers films Lussas 2018