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    PARADISE / Paul Manate

    2019 – 86’


    Over two years, from spring 2012 until spring 2014, The Last Continent offers a subjective immersion into an evolving political experiment: the one set up by those opposed to the Great-Western Airport project in Notre-Dame-des-Landes, near Nantes in France. The film shows two portraits; one of a place, the Defended Zone, i.e. 2000 hectares of forests and prairies, and one of a few activists with diverse profiles, but who all share on a daily basis an untypical political experience.


    Screenplay and direction

    Paul Manaté


    Sebastian URZENDOWSKY (Teivi), Blanche-Neige HURI (Yasmina), Patrick DESCAMPS (le député Gilot), Ahuura TEMARU (Eva), Angela CHAVEZ (Tante ROSA)

    Artistic and technical crew

    Musique originale / Olivier MELLANO

    Directeur de la photographie / Amine BERRADA

    Montage / Stéphanie ARAUD

    Son / Philippe LECOEUR, Christophe ETRILLARD, Kevin FEILDEL, Lionel MONTABORD

    Effets spéciaux / Hoël SAINLEGER

    Décors / Thibaut PINTO – Antoine PROUX

    Producteur / Nicolas BREVIERE

    Coproducteurs / Colette QUESSON, Laurent JACQUEMIN, Lionel MONTABORD


    FRANCE /Festival International du Film Océanien Tahiti 2020, Festival Travelling Rennes 2020

    RUSSIA / Festival International de Moscou 2020

    GREECE / Festival Unifrance du film francophone de Grèce 2020


    2018 — 52’

    Documentary short


    In the field of love transport, boys and girls have been subjected to the toughest tests ever since. Vertigo is a film about love. Through the story of an encounter and a love affair, the narrator tries to put words on feelings and emotions that are usually kept deep inside. It is then possible to awaken the memory of other love stories. Stories that have transported and sometimes transformed each of us.

    Artistical and technical team

    Directed by

    Nicole Zeizig


    Juliette Kempf


    François Villevieille

    Production credits

    A Perte de Vue, in coproduction with Les films du Tambour de Soie, France 3 Pays de la Loire, vià Vosges, in collaboration with BIP TV.

    Brouillon d’un Rêve de la SCAM 2018 Grant. With the support of Région Bretagne (development & production), Côtes d’Armor Department (production), with the participation of CNC, PROCIREP/ANGOA & SACEM.


    FRANCE Escales documentaires- International competition 2019

    GERMANY DOK Leipzig-International programme 2019

    I will love myself until death, by Léa Lanoë


    In development — 59’


    Frida is my neighbor in Karl-Kunger Strasse in Berlin, she is also an activist of the Barfusspartei, the barefoot party she created… And cosmonaut, but she hasn’t visited any other planets yet. Our film factory takes us there.


    Brouillon d’un rêve SCAM grant, with the support of Région Sud (Writing), Rencontres Premiers films Lussas 2018


    2020— 84’



    Jackson and Charles Pollock, two brothers, two painters, are caught up in the twists of twentieth century American history. The electrical center of their trajectory is New York. Their correspondence resonates with it, questions a myth and brings a painter out of the shadows.


    Sylvia Winter Pollock, Alain Joyaux, Francesca McCoy Pollock, Jason McCoy, Helen Harrison, 

    Peter Namuth †, Terence Maloon / Voices : Isabelle Rèbre, Rebecca Pauly et Dominic Gould.

    Artistic and technical team

    Author and director / Isabelle Rèbre

    Photography and frame / Emilien Awada

    Original music / Olivier Mellano

    Sound / Isabelle Rèbre

    Editor / Margaux Serre, Marie-Pomme Carteret

    Sound editing and mix / Jean-Marc Schick

    Colorgrader / Alexandre Lelaure

    Executive Producer / Colette Quesson

    Production’s assistant / Inès Lumeau

    Production manager / Emmanuelle Jacq

    Editing intern / Raffaelle Bloch

    Production interns / Juliette Le Ruyet, Déborah Gillet, Natalia Gomez Carvajal

    Director’s biofilmography

    Isabelle Rèbre directs documentaries, among which several artists’ portraits. In 2001, Charles Rojzmann, social therapist (Arte). In 2003, the portrait of the cinematographer André S. Labarthe from head to foot (Ciné-Cinéma and Lussas). In 2006, she directed Jean Rustin’s painting. For a command of ZDF-Arte, she directed After the anger, portraits of high school students and students battling against the CPE. In 2013, she directed Ricardo Cavallo or dream of the sparrow hawk, portrait of the painter. In 2020, she finishes Pollock&Pollock, first feature documentary about American painters Jackson and Charles Pollock. 

    Isabelle Rèbre is also dramatic author and essayist. In 1998, she published Moi quelqu’un (Actes Sud Papier). Her last play, End inspired by Ingmar Bergmanlast years, has been created by Bernard Bloch (Réseau Théâtre) in 2014. Echoing this text, she wrote an essay The last photography on the use of the photography in Saraband, the last movie of Bergman (La Lettre Volée, 2017).

    Since 1983, Isabelle Rèbre produced for France Culture around thirty radio documentaries, largely in touch with the art and the literature : In search of Unica Zürn, writers in exile, Kateb Yacine, The brothers Pollock… She also teaches documentary cinema in Paris 8 where she is completing a doctorate.


    A film produced by A Perte de Vue, 

    Executice producer / Colette Quesson

    In coproduction with BIP TV, Proarti and Le Fresnoy, Studio national des arts contemporains.

    With Bretagne Region’s development and production funds, with Ciclic and SACEM. With the participation of CNC. With the support of PROCIREP, Société des producteurs and Angoa. Withe the support of Cinéastes en résidence-Périphérie and Charles Pollock Archives. With the support of Brouillon d’un rêve – SCAM. Developed within the framework of EURODOC.


    In development — 90’ & 52’

    Feature documentary


    Traumascape offers a dive into the heart of the youth in a protestant working class neigborhood in Belfast. Traumascape is a film that focuses on the ways in which collective memory is transmitted to youth, whether these ways of transmitting are partisan or much more humanistic. It is a film turned towards the future, carried by the gaze of the younger generations.

    Production credits

    Developed within the frame of Eurodoc, Docs Barcelona 2019 With the support of CNC fonds d’aide à l’innovation(Writing & Dev), PROCIREP-ANGOA (Dev), Région Bretagne (Dev) et de la Région Pays de la Loire (Dev)

    TADPOLE / Jean-Claude ROZEC

    2019 — 13’39

    FIPRESCI Award – Annecy International Animation Film Festival

    Executive producer : Colette Quesson


    I was very young, but I still remember it very well. Mom and Dad didn’t see anything, but I knew right away. The thing in the crib wasn’t my little brother. No. It was you. You already had that funny face. And then you smelled… Huh, Tadpole?


    Screenplay and direction

    Jean-Claude Rozec

    Animation : Jules Garreau, Lisa Klemenz, Alexis Poligné, Apolline Rabot, Jean-Claude Rozec, Tom Villar

    Animation assistants : Jeanne Girard, Alice Viry

    Colors & Compositing : Jean-Claude Rozec

    Original soundtrack : Arnaud Bordelet

    Sound design / sound editing : Kevin Feildel

    Foley : Marie Mazière

    Sound mix : Frédéric Hamelin

    Production Manager : Emmanuelle Jacq

    Production secretary : Inès Lumeau

    Production intern : Maëva Ferdonnet

    Logistics manager : Tom Folie


    Gaspard : Léane Coulibaly

    Lola : Elisa Le Bel-Sorel

    The mom : Solène Quintin

    The dad : Jules Garreau

    Production credits

    A PERTE DE VUE, in coproduction with Arte France, TVR, TébéO et TébéSud

    With the support of CNC avant réalisation, of Région Bretagne & SACEM.


    Grand Prix du Jury du Court métrage professionnel – Festival national du film d’animation de Rennes 2020

    Prix FIPRESCI International Animation Film Festival Annecy 2019

    Prix Jeunesse, ex-aequo Animation Film Festival Paris 2019

    Coup de coeur de la programmation Chicago International Children’s Film Festival 2019


    FRANCE International Animation Film Festival Annecy 2019 international compétition

    Ateliers Angers 2019 Projection plein air

    Festival du Film d’animation pour la jeunesse (Hors compétition) Bourg-en-Bresse 2019

    Festival Européen du Film Court de Brest 2019

    Festival International du Film de La Roche-sur-Yon 2019

    Les Nuits Magiques Bègles 2019

    Paris Courts Devant 2019

    Festival national du film d’animation Rennes 2020

    Voix d’étoiles Leucate 2019

    Un poing c’est court, Vaux en vélin 2020

    Festival du court métrage, Clermont-Ferrand 2020

    Festival Ciné junior, Val-de-Marne 2020

    Festival Travelling, Rennes 2020

    Ciné court animé, Roanne 2020

    Festival de cinéma d’animation de Pontarlier 2020

    Festival International du Film Court d’Angoulême 2020

    Festival International Ciné-Jeune de l’Aisne, Saint-Quentin 2020

    Festival national du film d’animation, Rennes 2020

    RUSSIA Festival Insomnia Moscou 2019

    SPAIN International Fantastic film Festival Catalogne Sitges 2019

    Animac, Lleida 2020

    SOUTH KOREA Bucheon animation Film Festival 2019

    SWITZERLAND Animatou Genève 2019

    ITALIA Tocatì Festival Verona 2019

    LITHUANIA Tindirindis Vilnius 2019

    UNITED STATES OF AMERICA Chicago International Children’s Film Festival 2019

    ROMANIA Anim’est Bucarest 2019

    GREECE Thessaloniki Animation Festival 2019

    CANADA / Spark Animation Vancouver 2019

    Giraf, Calgary 2019

    PORTUGAL / Cinanima, Espinho 2019

    MEXICO CutOut, Festival du film d’Animation de Queretaro

    POLAND Ale Kino ! , Festival international du film pour la jeunesse de Poznan

    Animocje, Bydgoszcz 2020

    LATVIA 2ANNAS Festival International de courts métrages de Riga 2020

    ASIA Big Eyes, Big Minds, Singapour 2020

    GERMANY Trickfilm Festival, Stuttgart 2020

    Festival international de court métrage d’Oberhausen 2020

    SWEDEN Stockholm International Film Festival Junior 2020

    CZECH REPUBLIC Anifilm , Liberec 2020

    CROATIA Animafest, Zagreb 2020


    Nomads, by Olivier Coussemacq


    2018 — 87’

    National theatrical release 7 août 2019 – Local Films Distribution

    Moroccan National release 4 juin 2019 – Younès Productions


    Hossein, a teenage boy who is connected to the increasingly globalized world, dreams of a freer future far from his native Tangier. His mother Naïma, however, is determined not to let him follow in his brothers’ tragic footsteps, and takes him to the south against his will. In this new setting he gets his first taste of romantic love and disillusionment, and eventually reconnects with his mother, whose devotion he had previously shunned.


    Screenplay and direction

    Olivier Coussemacq


    Hossein : Jamil Idrissi / Naïma : Jalila Talemsi / Tante Zahra : Asmaa El Hadrami / Oncle Mokhtar : Mohamed Quatib / Farid : Saïd El Mokhtari / Najet : Rim Fethi / Delphine : Pauline Discry / Abdessamad : Soufiane Loukrissi / Mohamed : Hossein Senby / Karima : Fadwa Taleb / Jeune belge : Hamza Kadri / Hamid : Solaiman Rossi / Omar : Aymane Rhalib

    Artistic and technical crew

    Musique originale: Sarah Murcia / Directeur de la photographie : Jean-Pierre Renaudat / Chef opérateur du son : Nicolas Waschkowski / Chef monteur : Julien Cadilhac / Etalonneur : Pierre Bouchon / Monteuse son : Corinne Gigon / Mixeur : Frédéric Hamelin / Costumière : Anissa Reggab / Chef décorateur : Abdelmajid Ait Faqih

    Production credits

    Produced by Local films & À Perte de Vue, in coproduction with Awman productions

    With avance sur recettes from Moroccan Cinematographic Center, with the support of Région Bretagne, in partnership with CNC, with the participation of TV5 Monde & CNC. Project developed within the frame of IVth coproduction forum transpyrenean – San Sebastien Film Festival, & Holland Film Meeting – Netherlands Film Festival, & of A.C.E., Ateliers du Cinéma Européen. With the support of Developimages2 & Procirep / Angoa – Agicoa.

    Prizes and Awards

    MOROCCO, Ciné Plage Harhoura Festival (Rabat, 2019) : Grand Prix, Men’s interpretation Award, Cinephilie Award.

    EGYPT, Alexandria Mediterranean Countries Film Festival (2019) : Meilleur film, Meilleure réalisation, Prix d’interprétation féminine.

    GREECE, Greek National TV Award, Kimolos International Film Festival 2020


    EGYPT, Luxor African Film Festival 2019, Alexandria Mediterranean Countries Film Festival 2019

    FRANCE, Rencontres du Sud d’Avignon 2019, Festival Montreurs d’Images 2019

    MOROCCO, Panorama du Festival de Tanger 2019

    RUSSIA, Moscow Film Festival 2019


    2019 – 30′

    Short documentary

    Filmed in Polynesia and Bretagne, France.


    A deliriously synaesthetic S16mm portrait made between French Polynesia and Brittany, COLOR-BLIND recruits the restless ghost of Paul Gauguin as an uneasy spirit guide in excavating the post-postcolonial legacy of a decidedly syncretic post-post-colonial present. Featuring im/material guest appearances by: white-tipped reef sharks, Aldous Huxley’s Island, Marquesan techno, authorized Gauguin reproductions, Bretagne dance competitions, an illegal kava ceremony, the beach from the 4th season of Survivor, the long decay of French nuclear testing in Polynesia (1960-1996), and so much more.

    Opening Text Adapted From “A letter to Mette Gauguin from Paul Gauguin, 8 Dec. 1892”. 

    Fiche technique

    Director, image, sound, edit

    Ben Russell

    Artistic and technical team

    Sound Recording French Polynesia: Erwan Kerzanet

    Sound Recording Bretagne: Guillaume Cailleau

    Best Boy Bretagne: Jonathan Cailleau Slak

    Color Grading: Sergi Sanchez

    Sound Mix: Frédéric Hamelin

    Production Secretary France: Inès Lumeau

    Production Manager Germany: Jana Cisar

    Production Assistant France: Giulia Oliveri

    Production Intern: Maeva Ferdonnet

    Translation Marquesan: Michael Koch

    Translation German: Uli Ziemons

    Featuring: Freddy « Feeling Fingers » Fournier / Marc Kucharz / Yvonne Moke / Kokauani  Mahuaani / Ludovic  Puhetini / The Kimitete Kids / Angélina Mati / Pierrot Kewahana / Michael Koch / Michel Habert.


    Executive producer: Colette Quesson, A Perte de Vue

    Coproducer Germany: Guillaume Cailleau, CaSk Films

    Coproducers France: Fabrizio Polpettini, Pierre Malachin, La Bête

    Produced by A Perte de Vue, in coproduction with CaSkFilms, 

    La Bête, TVR, TébéO and Tébésud. With the support of Région Bretagne, Medienboard Berlin-Brandenburg, 

    Procirep-Angoa and the participation of CNC.


    AUSTRIA Viennale 2019

    CHILE Frontera-Sur International Non-Fiction Film Festival 2019.

    CHINA Beijing International Short Film Festival 2019

    SPAIN Curtocicuíto International Film Festival Santiago de Compostelle 2019 – Cineteca Madrid 2020

    FRANCE Festival Travelling Rennes 2020 – Cinéma du Réel Paris 2020

    UNITED STATES New York Film Festival 2019 – Chicago International Film Festival 2019 – Los Angeles Redcat ‘Murs Murs’ 2019 – Los Angeles / short program American Cinematheque 2019

    JAPAN Yebisu International Festival for Art & Alternative Visions 2020

    LITHUANIA Kaunas Film Festival 2019

    SWITZERLAND Locarno International Film Festival 2019