• Catégories
  • Archives pour la catégorie Non classé

    SKYMAN

    Loïc JOURDAIN

    80′

    En développement

    Synopsis

    Skyman raconte le parcours d’une famille qui défie l’un des plus grands tabous de notre société : comment parler de la mort lorsque son enfant n’a plus longtemps à vivre ?

    Skyman raconte le parcours d’une famille qui défie l’un des plus grands tabous de notre société : comment parler de la mort lorsque son enfant n’a plus longtemps à vivre ?

    Production

    En coproduction avec Lugh Film (Irlande), Erica Starling Productions (Northern Ireland), Corso Film (Allemagne), Soil Siu Film (Irlande).

    Sélections

    Documentary Campus 2018, Belfast Doc Market

    SKYMAN, Loïc Jourdain

    SKYMAN

    Loïc Jourdain

    80’

    In development

    Synopsis

    Skyman tells the story of a family that challenges one of the greatest taboos in our society: how can you talk about death when your child doesn’t have long to live?

    Production credits

    In coproduction with Lugh Film (Ireland), Erica Starling Productions (Northern Ireland), Corso Film (Germany), Soil Siu Film (Ireland).

    Selections

    Documentary Campus 2018, Belfast Doc Market

    THE LAST CONTINENT

    Vincent Lapize

    2015 – 77’

    Feature documentary

    Synopsis

    Over two years, from spring 2012 until spring 2014, The Last Continent offers a subjective immersion into an evolving political experiment: the one set up by those opposed to the Great-Western Airport project in Notre-Dame-des-Landes, near Nantes in France. The film shows two portraits; one of a place, the Defended Zone, i.e. 2000 hectares of forests and prairies, and one of a few activists with diverse profiles, but who all share on a daily basis an untypical political experience.

    Crew

    Directed by

    Vincent Lapize

    Editing

    Marie-Pomme Carteret

    Original music

    Pierre-Laurent Bertolino

    Sound editing and mix

    Frédéric Hamelin

    Production

    Colette Quesson, Romain Lardot et Gabrielle Gerll

    Production credits

    In coproduction with Réel Factory, Télénantes, & local TV channels from Brittany (TVR Rennes35Bretagne, TébéO et TébéSud) With the support of CNC, Bretagne, Region Poitou-Charentes Region, Vienne Departement Vienne, PROCIREP-ANGOA & with contribution of Effet Sphère & La Famille Digitale.

    Theatrical release – Dist. A Perte de Vue – Label AFCAE. 11 000 admissions France.

    Selections

    MONTREAL: Festival Funambules médias, August 2016

    Selected in « Les pépites du documentaire » by Mediapart.

    Selected as one of the ten best documentaires of the year by French newspaper La Croix

    PARIS: Paris Festival Hors Pistes Beaubourg, May 2016

    LA ROCHELLE: International Film Festival, July 2016

    MELLIONEC: Documentary film encounters, June 2015

    POITIERS: Raisons d’Agir Festival, April 2015

    DOURNENEZ Festival, August 2015

    LILLE: Ecollywood -(Premiere), October 2015

    REDON: Ciné Manivel (Premiere), April 2015

    NOTRE-DAME-DES-LANDES: Université populaire anarchiste du Haut Fay, avril 2015

    Distribution

    A PERTE DE VUE – 27 avenue Louis Barthou – 35000 Rennes

    Colette Quesson – 06 13 33 16 17 – assistant@apertedevuefilm.fr

    Vertigo, by Nicole Zeizig

    VERTIGO

    Nicole Zeizig

    2018 — 52’

    Documentary short

    Synopsis

    In the field of love transport, boys and girls have been subjected to the toughest tests ever since. Vertigo is a film about love. Through the story of an encounter and a love affair, the narrator tries to put words on feelings and emotions that are usually kept deep inside. It is then possible to awaken the memory of other love stories. Stories that have transported and sometimes transformed each of us.

    Artistical and technical team

    Directed by

    Nicole Zeizig

    Editor

    Juliette Kempf

    Composer

    François Villevieille

    Production credits

    A Perte de Vue, in coproduction with Les films du Tambour de Soie, France 3 Pays de la Loire, vià Vosges, in collaboration with BIP TV.

    Brouillon d’un Rêve de la SCAM 2018 Grant. With the support of Région Bretagne (development & production), Côtes d’Armor Department (production), with the participation of CNC, PROCIREP/ANGOA & SACEM.

    Selections

    GERMANY Dok Leipzig 2019

    I will love myself until death, by Léa Lanoë

    I WILL LOVE MYSELF UNTIL DEATH

    Léa Lanoë

    In development — 59’

    Synopsis

    Frida is my neighbor in Karl-Kunger Strasse in Berlin, she is also an activist of the Barfusspartei, the barefoot party she created… And cosmonaut, but she hasn’t visited any other planets yet. Our film factory takes us there.

    Selections

    Brouillon d’un rêve SCAM grant, with the support of Région Sud (Writing), Rencontres Premiers films Lussas 2018

    POLLOCK & POLLOCK

     

    Isabelle Rèbre

    2020— 84’

    Documentary

    Synopsis

    This is the story of two brothers, two American painters, Jackson and Charles Pollock. Jackson began painting under the guidance of his elder brother Charles, and quickly rose to fame. When his life is taken from him in a car accident at 44 he has already brought a revolution into the world of painting and he becomes a legend. Charles remains a man, slowly building his art. In 2015, the Peggy Guggenheim Collection in Venice presented the works of the two brothers side by side for the very first time. In the light of the family correspondence, the film explores two different ways of being an artist: it revisits a myth and draws a painter from the shadows.

    With

    Sylvia Winter Pollock, Alain Joyaux, Francesca McCoy Pollock, Jason McCoy, Helen Harrison, 

    Peter Namuth †, Terence Maloon / Voices : Isabelle Rèbre, Rebecca Pauly et Dominic Gould.

    Artistic and technical team

    Author and director / Isabelle Rèbre

    Photography and frame / Emilien Awada

    Original music / Olivier Mellano

    Sound / Isabelle Rèbre

    Editor / Margaux Serre, Marie-Pomme Carteret

    Sound editing and mix / Jean-Marc Schick

    Colorgrader / Alexandre Lelaure

    Executive Producer / Colette Quesson

    Production’s assistant / Inès Lumeau

    Production manager / Emmanuelle Jacq

    Editing intern / Raffaelle Bloch

    Production interns / Juliette Le Ruyet, Déborah Gillet, Natalia Gomez Carvajal

    Director’s biofilmography

    Isabelle Rèbre directs documentaries, among which several artists’ portraits. In 2001, Charles Rojzmann, social therapist (Arte). In 2003, the portrait of the cinematographer André S. Labarthe from head to foot (Ciné-Cinéma and Lussas). In 2006, she directed Jean Rustin’s painting. For a command of ZDF-Arte, she directed After the anger, portraits of high school students and students battling against the CPE. In 2013, she directed Ricardo Cavallo or dream of the sparrow hawk, portrait of the painter. In 2020, she finishes Pollock&Pollock, first feature documentary about American painters Jackson and Charles Pollock. 

    Isabelle Rèbre is also dramatic author and essayist. In 1998, she published Moi quelqu’un (Actes Sud Papier). Her last play, End inspired by Ingmar Bergmanlast years, has been created by Bernard Bloch (Réseau Théâtre) in 2014. Echoing this text, she wrote an essay The last photography on the use of the photography in Saraband, the last movie of Bergman (La Lettre Volée, 2017).

    Since 1983, Isabelle Rèbre produced for France Culture around thirty radio documentaries, largely in touch with the art and the literature : In search of Unica Zürn, writers in exile, Kateb Yacine, The brothers Pollock… She also teaches documentary cinema in Paris 8 where she is completing a doctorate.

    Production 

    A film produced by A Perte de Vue, 

    Executice producer / Colette Quesson

    In coproduction with BIP TV, Proarti and Le Fresnoy, Studio national des arts contemporains.

    With Bretagne Region’s development and production funds, with Ciclic and SACEM. With the participation of CNC. With the support of PROCIREP, Société des producteurs and Angoa. Withe the support of Cinéastes en résidence-Périphérie and Charles Pollock Archives. With the support of Brouillon d’un rêve – SCAM. Developed within the framework of EURODOC.

    TADPOLE

    Jean-Claude Rozec

    2019 — 13’39

    FIPRESCI Award – Annecy International Animation Film Festival

    Executive producer : Colette Quesson

    Synopsis

    I was very young, but I still remember it very well. Mom and Dad didn’t see anything, but I knew right away. The thing in the crib wasn’t my little brother. No. It was you. You already had that funny face. And then you smelled… Huh, Tadpole?

    Crew

    Screenplay and direction

    Jean-Claude Rozec

    Animation : Jules Garreau, Lisa Klemenz, Alexis Poligné, Apolline Rabot, Jean-Claude Rozec, Tom Villar

    Animation assistants : Jeanne Girard, Alice Viry

    Colors & Compositing : Jean-Claude Rozec

    Original soundtrack : Arnaud Bordelet

    Sound design / sound editing : Kevin Feildel

    Foley : Marie Mazière

    Sound mix : Frédéric Hamelin

    Production Manager : Emmanuelle Jacq

    Production secretary : Inès Lumeau

    Production intern : Maëva Ferdonnet

    Logistics manager : Tom Folie

    Voices

    Gaspard : Léane Coulibaly

    Lola : Elisa Le Bel-Sorel

    The mom : Solène Quintin

    The dad : Jules Garreau

    Production credits

    A PERTE DE VUE, in coproduction with Arte France, TVR, TébéO et TébéSud

    With the support of CNC avant réalisation, of Région Bretagne & SACEM.

    Prix

    Prix FIPRESCI International Animation Film Festival Annecy 2019

    Prix Jeunesse, ex-aequo Animation Film Festival Paris 2019

    Sélections

    FRANCE International Animation Film Festival Annecy 2019 international compétition

    Ateliers Angers 2019 Projection plein air

    Festival du Film d’animation pour la jeunesse (Hors compétition) Bourg-en-Bresse 2019

    Festival Européen du Film Court de Brest 2019

    Festival International du Film de La Roche-sur-Yon 2019

    Les Nuits Magiques Bègles 2019

    Paris Courts Devant 2019

    Festival national du film d’animation Rennes 2020

    Voix d’étoiles Leucate 2019

    RUSSIE / RUSSIA Festival Insomnia Moscou 2019

    SPAIN International Fantastic film Festival Catalogne Sitges 2019

    SOUTH KOREA Bucheon animation Film Festival 2019

    SWITZERLAND Animatou Genève 2019

    ITALIA Tocatì Festival Verona 2019

    LITHUANIA Tindirindis Vilnius 2019

    UNITED STATES OF AMERICA Chicago International Children’s Film Festival 2019

    ROMANIA Anim’est Bucarest 2019

    GREECE Thessaloniki Animation Festival 2019

    https://tetard-rozec.tumblr.com

    Nomads, by Olivier Coussemaqc

    NOMADS

    Olivier Coussemacq

    2018 — 87’

    National theatrical release 7 août 2019 – Local Films Distribution

    Moroccan National release 4 juin 2019 – Younès Productions


    Synopsis

    Hossein, a teenage boy who is connected to the increasingly globalized world, dreams of a freer future far from his native Tangier. His mother Naïma, however, is determined not to let him follow in his brothers’ tragic footsteps, and takes him to the south against his will. In this new setting he gets his first taste of romantic love and disillusionment, and eventually reconnects with his mother, whose devotion he had previously shunned.


    Crew

    Screenplay and direction

    Olivier Coussemacq

    Cast

    Hossein : Jamil Idrissi / Naïma : Jalila Talemsi / Tante Zahra : Asmaa El Hadrami / Oncle Mokhtar : Mohamed Quatib / Farid : Saïd El Mokhtari / Najet : Rim Fethi / Delphine : Pauline Discry / Abdessamad : Soufiane Loukrissi / Mohamed : Hossein Senby / Karima : Fadwa Taleb / Jeune belge : Hamza Kadri / Hamid : Solaiman Rossi / Omar : Aymane Rhalib

    Artistic and technical crew

    Musique originale: Sarah Murcia / Directeur de la photographie : Jean-Pierre Renaudat / Chef opérateur du son : Nicolas Waschkowski / Chef monteur : Julien Cadilhac / Etalonneur : Pierre Bouchon / Monteuse son : Corinne Gigon / Mixeur : Frédéric Hamelin / Costumière : Anissa Reggab / Chef décorateur : Abdelmajid Ait Faqih

    Production credits

    Produced by Local films & À Perte de Vue, in coproduction with Awman productions


    With avance sur recettes from Moroccan Cinematographic Center, with the support of Région Bretagne, in partnership with CNC, with the participation of TV5 Monde & CNC. Project developed within the frame of IVth coproduction forum transpyrenean – San Sebastien Film Festival, & Holland Film Meeting – Netherlands Film Festival, & of A.C.E., Ateliers du Cinéma Européen. With the support of Developimages2 & Procirep / Angoa – Agicoa.

    Prizes and Awards>

    MOROCCO, Ciné Plage Harhoura Festival (Rabat, 2019) : Grand Pix, Men’s interpretation Award, Cinephilie Award.

    Selections

    EGYPT, Luxor African Film Festival 2019

    FRANCE, Rencontres du Sud d’Avignon 2019, Festival Montreurs d’Images 2019

    MOROCCO, Panorama du Festival de Tanger 2019

    RUSSIA, Moscow Film Festival 2019

    COLOR-BLIND

    Ben Russell

    2019 – 30′

    Short documentary

    Filmed in Polynesia and Bretagne, France.

    Synopsis

    A deliriously synaesthetic S16mm portrait made between French Polynesia and Brittany, COLOR-BLIND recruits the restless ghost of Paul Gauguin as an uneasy spirit guide in excavating the post-postcolonial legacy of a decidedly syncretic post-post-colonial present. Featuring im/material guest appearances by: white-tipped reef sharks, Aldous Huxley’s Island, Marquesan techno, authorized Gauguin reproductions, Bretagne dance competitions, an illegal kava ceremony, the beach from the 4th season of Survivor, the long decay of French nuclear testing in Polynesia (1960-1996), and so much more.

    Opening Text Adapted From “A letter to Mette Gauguin from Paul Gauguin, 8 Dec. 1892”. 

    Fiche technique

    Director, image, sound, edit

    Ben Russell

    Artistic and technical team

    Sound Recording French Polynesia: Erwan Kerzanet

    Sound Recording Bretagne: Guillaume Cailleau

    Best Boy Bretagne: Jonathan Cailleau Slak

    Color Grading: Sergi Sanchez

    Sound Mix: Frédéric Hamelin

    Production Secretary France: Inès Lumeau

    Production Manager Germany: Jana Cisar

    Production Assistant France: Giulia Oliveri

    Production Intern: Maeva Ferdonnet

    Translation Marquesan: Michael Koch

    Translation German: Uli Ziemons

    Featuring: Freddy « Feeling Fingers » Fournier / Marc Kucharz / Yvonne Moke / Kokauani  Mahuaani / Ludovic  Puhetini / The Kimitete Kids / Angélina Mati / Pierrot Kewahana / Michael Koch / Michel Habert.

    Production

    Executive producer: Colette Quesson, A Perte de Vue

    Coproducer Germany: Guillaume Cailleau, CaSk Films

    Coproducers France: Fabrizio Polpettini, Pierre Malachin, La Bête

    Produced by A Perte de Vue, in coproduction with CaSkFilms, 

    La Bête, TVR, TébéO and Tébésud. With the support of Région Bretagne, Medienboard Berlin-Brandenburg, 

    Procirep-Angoa and the participation of CNC.

    Selections

    AUSTRIA Viennale 2019

    SPAIN Curtocicuíto International Film Festival

    UNITED STATES New York Film Festival 2019

    Chicago International Film Festival 2019

    Los Angeles Redcat ‘Murs Murs’ 2019

    LITHUANIA Kaunas Film Festival 2019

    SWITZERLAND Locarno International Film Festival 2019

    LET’S TALK SECOND CHANCE

    Adeline PRAUD

    2018 – 50′

    Documentaire

    Avec le soutien au développement de la Région Bretagne et de la Région Pays de la Loire, de la PROCIREP-ANGOA (développement)

    Rencontres d’août de Lussas 2018, Parcours d’accompagnement d’auteurs de la Plateforme, Pays de la Loire

     

    En développement

     

    Résumé

    Shawn a grandit à Rutland, Vermont, Nord-Est des États-Unis, dans l’un des deux quartiers difficiles de la ville. Il a 50 ans. Il est grand, mince, dépareillé. Discret mais joyeusement présent, Shawn tue le temps. Ses variables d’ajustement : boisson et drogues en tous genres. Son quotidien : l’addiction. Depuis la mort dramatique d’une adolescente qui a secoué toute la population, la ville de rutland lutte ouvertement contre celle que l’on nomme la crise des opioïdes. De son côté, Shawn essaie tant bien que mal de rester sobre et clean. Le film confronte deux combats : celui d’un homme qui compose avec les ressources du moment, et celui d’une communauté bien décidée à en découdre avec cette épidémie aveugle et meurtrière.